Arrangements by Category(Click Below)
You can’t go wrong with a hit by the Everly Brothers. This version is a little bit fancier than the published Harmony Explosion arrangement. Now available for SATB mixed voices.
This may be the best song ever written, period. Couldn’t all of us fallible mortals use a little grace?
An eight-part song from Annie Get Your Gun that is a sure hit for a combined number with a chorus or quartet of the opposite sex. Can you guess who wins in the end? Also available in eight-part male and female versions.
From the animated musical “The Jungle Book,” this delightful tune will charm audiences and judges alike. Storm Front sang it until they decided to be unremittingly hilarious.
For contest or show, this song is beloved by audiences and performers alike. The men’s version of this arrangement is published by the BHS.
A pop hit for the Mindbenders (1966) and for Phil Collins (1988), the song has been sung lately by the King’s Singers. Makes a great solo for tenor or high lead/bari. The bass also gets some licks in too. Do have a look at this uniquely wonderful chart.
Arranged for eight-part mixed voices, this Amy Grant song is a wish list for a better world. So get together with a chorus or quartet of the other sex and move your audiences’ hearts with this gem.
This emphatic tune is arranged for four-part women’s voices with male solo. The fellow needs to be either a bass or a low baritone—low in more than one sense of the word? The arrangement is also available in German. That title translates as “Come, Drink Up, Jack.” Fun, eh? By the way, Anne Bureau’s tracks are actually five-part, with husband Ig typecast as the ne’er-do-well. (Just kidding, Igster.)
This popular classic is now available in two versions. One has the shimmering feel of the rock ‘n’ roll hit, while the other is a contestable tempo ballad as sung by Metropolis. The latter can be sung either straight or, as the quartet did it, humorously. Tim’s tracks are for the ballad version.
Written by a barbershopper from Dallas, this song is of professional quality. Hear why the Vocal Majority and Second Edition have performed this lovely seasonal tune.
The lovely Beatles tune is great for any combination of voices. Express your deep love sweetly and gently with this rock classic.
The Beach Boys’ story of teenage angst is surprisingly sweet and moving, and works well for singers of all ages. The BHS publishes the TTBB version; for SSAA, go to Sheet Music Plus. This short, easy song is a natural for Youth in Harmony groups.
The ’60s group The Seekers (I’ll Never Find Another You, Georgy Girl) sang this captivating song. It is arranged for eight-part mixed voices.
If you sing in a mixed-barbershop group or church choir, this SATB arrangement is for you. The message is as timeless as it is powerful.
In 1991 this song was a big hit for Boyz II Men. Formed in 1988 in Philadelphia, this R&B vocal group recorded a whopping eight Top-10 tunes in just a little over four years. Do yourself, and your audiences, a favor and check out this beautiful, poignant song of lost love.
Composed and sung by Bill Withers, this is one of the most popular songs of the last 50 years. Inspire your audiences with this uplifting winner. Now available for mixed voices.
The Everly Brothers sang this heartfelt love ballad with great Success. It was a Top 10 hit for the duo back in 1960. Now available for SATB mixed voices (as well as for men and women).
A show closer with a great message, this song offers the best wish possible. The men’s version of this arrangement is published by the BHS, and it works great for women and mixed groups as well.
Billy Joel’s hit is doo-wop barbershop at its most enjoyable—and familiar! The BHS publishes the TTBB, SSAA and SATB versions, with tracks, of this smash hit. (Kohl K and Tim W also have TTBB tracks.)
This beautiful piece is a rearrangement for SATB of the Society-published chart done by the great Joe Liles and me. It is fine for both mixed-barbershop and church groups.
This is a contestable version of a most powerful song. Judges in the Performance category have assured me that this song does not really function a religious number, but rather as a lament about feeling quite alone. The arrangement is no longer exclusive to the Brothers in Harmony, who sang it most dramatically in International competition.
Everybody’s waiting for him. And who is he? Why, Santa Claus, of course. Your group will enjoy singing this slick tune.
Powerful, reverent song, this piece is a hit at Christmas or any other time of year. Available in male, female and mixed voices.
The Carpenters’ moving hit is available in various versions: women’s, men’s, mixed and as a solo plus four parts for a chorus specialty number. They don’t get any sweeter than this.
When this song went all the way to #1 back in 1964, it was no miracle. Written and produced by Smokey Robinson—get it?—this happy tune of loyal love made in big on both the pop and R&B charts for Motown star Mary Wells. This tune will make your audiences smile, and you as well!
The lyrics to this timeless hymn were written by the grieving Rev. Thomas A. Dorsey after the death of his wife and infant son in childbirth. Dorsey based the tune heavily on the 1844 hymn “Maitland,” composed by George N. Allen. This moving piece is available in men’s, women’s and mixed arrangements.
Originally arranged for a female soloist with men’s quartet or chorus, the piece is now available for five women’s voice parts. This seductive song is cool, hot and fun.
Yep, this is the hit song about the silhouettes on the shade. You and your audiences are invited to have large fun with this doo-wop classic with a surprise punch line! The BHS publishes all three versions—TTBB, SSAA and SATB—and carries tracks for all three, as do Kohl Kitzmiller and Tim Waurick for the TTBB chart.
Arranged to help the Dutch Association of Barbershop Singers (DABS) celebrate its 20th anniversary, this song is as strong as it gets. It has been used for protest and inspiration by a wide variety of oppressed groups, though anyone can relate to its powerful, uplifting message. A mixed version is now available.
I wrote and arranged this energetic song honoring music and other sounds of life around us. The men’s version is published by the BHS. There is now an SATB version for YMIH/YWIH singers, as well one for women’s voices. Some versions have my original tag, while others feature a powerful ending that pal Kirk Young stole—I mean, tastefully borrowed—from a different David Wright chart.
Great fun for singers and audiences alike, this lively tune is available in both contest and show versions. It is easily one of my most popular charts. Power Play sang it with much success, and it works just fine for any combination of voices. Kim’s tracks are for the contest version, but nowadays the slightly longer show version could be sung in competition just fine.
This happy summer song is always in season. The BHS publishes the men’s version, of this tune, which is virtually a Polecat song in some places. Now available for SSAA and SATB mixed voices.
This Beatles’ song is always a kick, for singers and audience members alike. The men’s version of this arrangement is published by the BHS. Of course, you can vary the lyrics to reference any age that ends in a four.
This classic is a good candidate for the best popular song of all time. “And may all your Christmases be white!”
Here is the inspirational Bette Midler hit about the man behind the woman, or vice versa. Do give this powerful piece a try. The arrangement is now available for SATB mixed voices, where it also fits very nicely.
Marvelously energetic 8-parter about men and women working together, as sung by Friends.
While this song is not really a translation of “Happy Days Are Here Again,” it does feature a new set of German lyrics that capture the cheery spirit of the original. This song has the honor of being one of the first two polecat songs for BinG!, which is a mixed barbershop organization.
The lovely Beatles’ tune may be the most recorded of all time. The men’s version of this arrangement is published by the BHS. Now available for SATB mixed voices.
Light and sweet, this Christmas tune will add sparkle to your holiday shows. Wouldn’t you like to meet it?
If you “hear music and there’s no one there,” get together with a quartet or chorus of the opposite sex and perform this lively, eight-part partner song. This one is a clear winner, a truce in the age-old battle of the sexes.