Arrangements by Category(Click Below)
A most powerful piece, this popular hit by Toto is sure to thrill your audiences. Probably more suitable to chorus than quartet. Be sure to check out Perpetuum Jazzile’s version on YouTube and consider adding their stormy sound effects to your performance.
They don’t come any sweeter than this love song. Sing this lovely tune on an afterglow or for a change of pace during a show.
You can’t go wrong with a hit by the Everly Brothers. This version is a little bit fancier than the published Harmony Explosion arrangement. Now available for SATB mixed voices.
A rock hit for Swedish group Ace of Base, this arrangement is not for the faint of heart. Sure, her ex-lover is just that little bit bitter, but the woman earned it.
The lovely John Denver song, this piece is good for weddings—and any other occasion when you want to express your feelings for your beloved.
The biggest hit from the musical Hair, this powerful song offers us hope still today. By the way, my college girlfriend and I saw the Broadway production back in 1969. When the cast invited any interested audience members to dance the finale with them on stage, up we went. So, yes, I have danced on the Broadway stage. You may touch the hem of my bell-bottoms the next time you see me. . . .
This song from The King works well for both princes and princesses. Give your audiences the royal treatment by singing them this heartfelt ballad. This piece is a real winner that expresses both sadness and hope. Continue reading “Are You Lonesome Tonight”
These two love songs, debuted almost 100 years apart, are identical musically. Elvis has not left the building yet. The men’s version is available from the BHS; the women’s, from Sheet Music Plus under “Love Me Tender.”
Celebrating the surfer dude and dudette in all of us; songs include “I Get Around,” “Fun, Fun, Fun,” “In My Room” and “California Girls.”
Here is a lovely pop song by Celine Dion, in the mold of “The Wind Beneath My Wings.” Sing it at weddings or any time love is in the air.
No joke, this is the straight version of the Roy Orbison song, covered so beautifully by Linda Ronstadt, among others. Your group can set a sultry Louisiana mood with this pop hit.
This unique rendering combines the verse from Rodgers & Hart’s original version from 1934 with the chorus of the swinging 1961 doo-wop hit. This may be the ultimate “Oh, yeah” song.
Step on the gas with this vintage Carl Perkins/Elvis Presley tune.
This lively tune was a one-hit wonder back in 1958 for the Monotones. Hailing from Newark, N.J., the doo-wop group reached #5 with this pop classic. This was their only chart hit, but maybe if they had picked a more musically-skilled name. . . .
The lively pop hit by Neil Sedaka can now be sung in contest. Big fun awaits you! Anne Bureau has recorded women’s tracks for both the contest and show versions.
Van Morrison wrote this happy, lively tune back in the golden year of 1967. Quite faithful to the original, this version is sure to have your audiences rocking and clapping. Up All Night does a great job on this song.
Pop/country hit about a father and daughter that is sure to go over big at weddings.
Here is one of the Everly Brothers’ finest tunes. The men’s, women’s and mixed versions of this lively tale of lost love are all published by the BHS, so you would order the arrangement from them.
Neil Sedaka wrote and sang this most fun tune. Now it is available for your group to sing in contest, even!
This classic from the Fab Four is not only lively and wise, it is contestable too (though SAI groups should check with a Music judge). But whether for contest or show, this song is a sure winner. “Everybody tells me so!” Tim Waurick’s tracks for women are purely great, and he now has them for men too.
The King sang this pop classic, so your audiences are sure to love being transported into the past by it.
This is Elton John’s moving tribute to Princess Diana. The lyrics of this beautiful song still resonate today.
From the Disney film Pete’s Dragon, this beautiful song explores the depths of true love. What a lovely image the title paints, eh?
This doo-wop classic earned the Dell-Vikings a gold single in the golden year of 1957. The BHS publishes the men’s version of this sure winner.
You have never heard the Barry Manilow hit quite like this before. With solo, four harmony parts and two rhythm lines, the song requires a chorus or octet to make it swing.
This Roy Orbison song is a popular classic, of course. Very few barbershop groups have a lead(s) who can handle the rangy melody, so the lead, tenor and bass take turns with it. (Sorry about that, baris.)
Sung by the Everly Brothers, this poignant song of lost love makes a fine tempo ballad for contest or show. This one will sure take your audiences back. . . .
Frank Sinatra sang this moving song of life’s ups and downs. Your audience members will definitely be able to relate to the message of this tender piece.
“What a day” for singing this Lovin’ Spoonful pop classic. This cheery arrangement is for chorus plus soloist.
Yes, this is the Eagles’ big hit, and it can even be sung in contest. So “come to your senses” and give this heartfelt tale a try. Good news: This powerful arrangement, which had not been available for a few years, is now cleared via Sheet Music Plus!
It doesn’t get any better than the Everly Brothers singing about true love. Would make a fine addition to wedding vows.
This Statler Brothers’ tune revives all sorts of ’50s nostalgia. The arrangement could even be redone for contest.
Get some serious teenage angst going with this combination of “Donna the Prima Donna” and “(Oh) Donna.” This tune is campy fun.
For contest or show, this song is beloved by audiences and performers alike. The men’s version of this arrangement is published by the BHS.
This beautiful Disney song has a most hopeful message: Keep believing! Available in both TTBB and SSAA voicing.
Plenty unique and maybe even strange, this Beatles’ tune has lots of key changes and melody swaps.
Would you believe a contestable medley could be made of “Hound Dog,” “Don’t Be Cruel,” “Jailhouse Rock,” “Burning Love” and “Viva Las Vegas”? You will have a blast singing this piece, one that is fit for a—well, the one and only—King.
A tough one to explain, this Metallica hit was goofed on by a lounge-lizardy singer who calls himself Richard Cheese. The arranger further degraded the piece, resulting in a delightful, even marginally contestable, abomination.
Wish your audiences a Merry Christmas in bilingual fashion. This lively chart is written for four voices plus percussion instruments. The BHS publishes the men’s version. Jen Cooke has recorded the SSAA tracks; Anne Bureau, with a little help from kept man Ig, the TTBB.
This lovely Roberta Flack song has passed the test of time. Give your audiences some warm fuzzies with this deeply moving tune.
This Statler Brothers’ song puts an ironic twist on loneliness. And it won’t bother your audiences at all . . .
Do you have an outlaw sort of bass who is looking for a solo? This is a good one, with one caveat: The song is arranged to be accompanied by guitar and bass fiddle. It could be redone someday but not just yet, for the piece is exclusive to Boardwalk right now. After all, doesn’t Pookie remind you quite a bit of Johnny Cash?
Stevie Wonder in barbershop? Absolutely! Indeed, this pop classic is even contestable.
This touching song of love lost was written by singer/songwriter/actor Kris Kristofferson. “Make believe you love me one more time”—that is some good writing. . . and your group can do some fine singing with this strong song.
This delightful song is about not judging a book by its cover. So get on out there and “kiss you a frog!”
The rock group Blood, Sweat & Tears revived this 1941 Billie Holiday song in 1968. This tempo, bluesy ballad is as moving as they come. And here is a blessing for you: The piece is no longer exclusive to the Big Apple Chorus.
Composed back in 1976 by Freddie Mercury, this tune is happy and seductive at the same time. You will be Queen for a Day if receive loving treatment this good.
Written and performed by Billy Joel, this song is as intense as it gets. The Brothers in Harmony pretty much blew the place’s doors off in the chorus contest at the Philadelphia International.
Have yourself some fun with a little doo-wop barbershop. Sing this with tongue in cheek, yours or your sweetie’s. . . .
This pop hit is great for school-days shows. Or you can sing it to add some gentle enjoyment to any performance.
This lively, happy, nostalgic John Denver song is great fun for either sex to sing. Now available in contest and show versions. James Estes has recorded learning tracks for the contest chart.
Revisit Danny and Sandy in a monster medley that is great for either contest or shows. The Hot Air Buffoons no longer have exclusive rights to the piece. Of course, their take on “grease” had to do with—what else?—food!
Written and performed by John Jarvis, this lovely song stresses two types of love. One is for one’s spouse, while the other is even greater: “Peace on Earth, goodwill to men.” At this time the arrangement is exclusive to Nova Quattro, but your chance will come one of these days.
Recorded by various country artists, this melancholy song is sure to move your audiences’ hearts. There are many ways to get back home, but this method is clearly not recommended. . . .
A pop hit for the Mindbenders (1966) and for Phil Collins (1988), the song has been sung lately by the King’s Singers. Makes a great solo for tenor or high lead/bari. The bass also gets some licks in too. Do have a look at this uniquely wonderful chart.
Originally called “My Girl Sloopy,” this tune reached No.26 on the charts for the Vibrations in 1964. The McCoys had a No.1 hit with it the next year. By one account, the inspiration for the song was Dorothy Sloop, a jazz singer from Steubenville, Ohio—also the birthplace of Dean Martin—and a student at Ohio University. The Ohio State University marching band, which bills itself as The Best Damn Band in the Land, first played the song in October of 1965 and has made it a staple ever since. Try this most fun song with your group. Your audiences would probably enjoy singing along with you!
Diana Ross sang this tender song of the happiness love brings. This is definitely not the Pharrell Williams tune.
The lively Ricky Nelson song works just fine for contest or show. Audiences purely love this one.
Your quartet or chorus might want to, uh, help itself to this classic from the Beatles. The arrangement is partly lead solo and partly all-skate. So give it a shout, eh?
The Patsy Cline classic about a love that is tough to get over, this song is sure tug at your listeners’ heartstrings.
Tom T. Hall’s ode to the ethereal amber beverage is great fun. This whimsical tune is available as either a lead or bass solo.
Tom T. Hall’s ode to the ethereal amber beverage is great fun. This whimsical tune is available as either a lead or bass solo.
This popular classic is now available in two versions. One has the shimmering feel of the rock ‘n’ roll hit, while the other is a contestable tempo ballad as sung by Metropolis. The latter can be sung either straight or, as the quartet did it, humorously. Tim’s tracks are for the ballad version.
Popularized by Dusty Springfield in the ’60s, this happy love song was arranged for all of the LABBS ladies. Best to contact them for SSAA tracks. Shawn Thomas recorded the TTBB version.
What a delightful love song this is! An easy-beat piece with an almost Latin feel, it was a hit for the Beatles back in 1968. Lennon and McCartney sure knew how to write ’em!
Dionne Warwick sang this classic by Burt Bacharach and Hal David. Though arranged for the Ladies Association of British Barbershop Singers, the song works fine for men too. Continue reading “I’ll Never Fall in Love Again”
This tender pop hit, made famous by Bread, is a most moving love song. It makes a great song for weddings, Singing Valentines and much more.
If you are not familiar with this song, do yourself a favor and find a clip of Elvis Presley singing it. This plaintive plea drives and drives and drives, as 2014 international champ Musical Island Boys showed us so well. In 2017 this song became a LABBS “polecat” number, sung by all of these British ladies.
A most uplifting pop love ballad, this tune is full of goodness and inspiration.
The lovely Beatles tune is great for any combination of voices. Express your deep love sweetly and gently with this rock classic.
The Beach Boys’ story of teenage angst is surprisingly sweet and moving, and works well for singers of all ages. The BHS publishes the TTBB version; for SSAA, go to Sheet Music Plus. This short, easy song is a natural for Youth in Harmony groups.
The Boyz II Men redo of the classic doo-wop hit is popular with singers and listeners of all generations. The Society publishes the men’s version.
The ’60s group The Seekers (I’ll Never Find Another You, Georgy Girl) sang this captivating song. It is arranged for eight-part mixed voices.
The King’s Singers sang this bittersweet song, which is available in both tenor- and bass-solo versions. This piece is purely lovely, “but it’s much too hard to write.”
The King’s Singers sang this bittersweet song, which is available in both tenor- and bass-solo versions. This piece is purely lovely, “but it’s much too hard to write.” (Hmm, where have you read that before. . . .)
This powerful Grammy Award winner, sung by Roberta Flack, is now available in two versions. One is as usual, while the other, as sung by MAXX Factor, is delightfully twisted.
Everyone enjoys this light-hearted hobo song, composed and performed by the great Roger Miller. And the arrangement could even be edited to be contestable, so hitch a ride on this tune!
Composed and sung by Bill Withers, this is one of the most popular songs of the last 50 years. Inspire your audiences with this uplifting winner. Now available for mixed voices.
The Everly Brothers sang this heartfelt love ballad with great Success. It was a Top 10 hit for the duo back in 1960. Now available for SATB mixed voices (as well as for men and women).
This wonderful, romantic song was written by Barry Manilow and featured in the movie Thumbellina. And isn’t the title just lovely?
A show closer with a great message, this song offers the best wish possible. The men’s version of this arrangement is published by the BHS, and it works great for women and mixed groups as well.
The Dallas rock ‘n’ roll group Sam the Sham and the Pharaohs earned a gold record with this catchy tune, which rose to #2 on the charts back in 1966. Their breakout hit from the year before, Wooly Bully, had also charted at #2. Time to get delightfully funny with the wicked song!
A solid gold hit from 1957 for the Diamonds, this doo-wop tune will give your lead a chance to shine and your tenor some hammy moments.
Billy Joel’s hit is doo-wop barbershop at its most enjoyable—and familiar! The BHS publishes the TTBB, SSAA and SATB versions, with tracks, of this smash hit. (Kohl K and Tim W also have TTBB tracks.)
The lyrics to this fluffy yet sexy Meghan Trainor hit have been toned down a bit for younger singers; for example, “even with nothing on” is now “even with my blue jeans on.” Arranged for the delightful Cleveland Heights High School Women Barbershoppers, this tune would be great fun for young-at-heart women of all ages!
Unique to say the least, this medley combines the Bob Dylan song with one by Snow Patrol.
This seasonal medley combines two songs composed by the great Johnny Marks, “Have a Holly Jolly Christmas” and “Silver and Gold.” Your audiences are sure to enjoy the sweet sentiments expressed here.
Pretty and rhythmic, this pop ballad lets you express your feelings for your beloved most sweetly. If sweet is your thing, have a listen to this tune.
A modernish tempo ballad, this tune is suitable for contest. It conveys a sweet sentiment with powerful, creative lyrics and images. Have a look and a listen. . . .
The Carpenters’ moving hit is available in various versions: women’s, men’s, mixed and as a solo plus four parts for a chorus specialty number. They don’t get any sweeter than this.
A wonderful sisterhood song for women, this tune is from the fine film “The Color Purple.”
The theme from the movie Mondo Cane, this easy-listening classic is great for shows, glows and weddings. And it’s not really a dog’s world after all, is it?
With 16 pages of fast musical action, this medley will make you fasten your seat belt. There are some solos with four-part background, so this song is meant for a chorus to sing. Only the women’s version is available right now, but it could be redone for men.
Nobody doesn’t enjoy this fun, catty pop #1 hit from 1963. This tune is good for young and old alike, so give it a whirl. The arrangement is available in men’s voicing also. Hey, why not. . . .
This pop hit from 1962 will touch your audiences’ hearts. Slick and sad, this tune of love lost contains very evocative images, allowing you to paint quite a picture for your audiences.
This arrangement of the beautiful #1 hit for the Platters (1956) debuted at a barbershopper’s wedding. You can spread the love by picking up on this hopeful tune.
This 1985 hit by the Pointer Sisters is guaranteed to energize your audiences. Surely you want a Pointer Sisters song in your repertoire, right?
This one is rather tough to describe. For one thing, it does not exist yet—at least not in a completed form. The gag is pairing the lyrics from songs by the Beatles, Rolling Stones and so on with the melodies of much older songs. Some examples of the latter are “Meet Me Tonight in Dreamland,” “After the Ball” and “I Got Rhythm.” The hope is to pleasantly scramble your audiences’ brain waves (maybe you own also). If you are interested in this weird concept, do give me a holler.
Performed in English by Texas Lightning, this song was the German entry in the Eurovision Song Contest 2006. Has a fine rock/pop/country feel to it.
From the movie Mary Poppins Returns, this delightful song will take you on a natural high. You won’t be flying a kite—you will soar over the town, maybe even heading to the moon. This arrangement is fine for contests using the BHS judging system but might be more suitable for shows in the Sweet Adelines world.
Yes, this is the hit from Three Dog Night. Of course, we sing it in four-part harmony, not three. Take you audiences back to the glory days of the ’70s with this happy tune.
This stirring song of the futility of war comes from the film Billy Jack. Sometimes the only survivor is. . . .
This powerful song sounds as though it were written for 9/11. Though it appeared about a year earlier, the amazing sentiments make it a great song for any group’s repertoire.
This happy song of faith moves along with considerable energy. Manhattan Transfer made the piece famous—and your quartet or chorus can help it stay that way.
This tune is fun, lively and makes a great opener or closer. Short and to the point, It is available in both contest and show versions. Anne’s tracks go with the contest chart, and Drew’s and Jen’s with the show version. Really, though, either one is fine for competition these days.
The words don’t make a bit of sense, but that doesn’t stop the fun in this novelty number. In fact, the words are the biggest part of the merriment. This song is no longer exclusive to Buckeye Blend.
Celtic Thunder sings this happy, lively, energetic, creative, wonderful, fantastic song. You owe it to yourself to check it out for your quartet or chorus. You just do! Can be sung with or without a backup band.
Folk legend Pete Seeger penned this uplifting song. Use this piece to honor a friend(s) or simply to inpire your audiences. Arranged for chorus and soloist.
Butch Cassidy and the Sundance Kid ride — well, a bicycle, anyhow — again. This light song is, well, delightful. If you don’t give this tune a try, you’re all wet!
No, that is not a misprint. This snappy opener is a combo of Rock Around the Clock and Rock and Roll Is Here to Stay. Hey, it’s time for your group to rock out!
Four rock ‘n’ roll classics make this medley a winner: “Rock and Roll Is Here to Stay,” “Hound Dog,” “Tears on My Pillow” and “Blue Moon.” So, hey, let your eternal teenager out for a little while.
The thought-provoking Dan Fogelberg song, this piece seems to be about a colt that might run in the Kentucky Derby but may just have a deeper meaning for us all.
John Denver sang this clever novelty song. Just what does happen in that Ohio town when the sun goes down?
Brothers and Sisters, are you leading a life of sin and corruption? If so, this energetic, tongue-in-cheek song will set you on the righteous path. Okay, so it did not quite do the trick for the comedy quartet Up All Night, but it almost always works. Let me hear an “Amen!”
This uplifting pop/country hit pays homage to the beloved lady who gives you so much support. Sing it to bring out your inner Kenny Rogers!
Yep, this is the hit song about the silhouettes on the shade. You and your audiences are invited to have large fun with this doo-wop classic with a surprise punch line! The BHS publishes all three versions—TTBB, SSAA and SATB—and carries tracks for all three, as do Kohl Kitzmiller and Tim Waurick for the TTBB chart.
Truly a rock’n’roll classic that will take your audiences back, this tune offers lighthearted fun. The BHS publishes the men’s version.
This country hit tells us to enjoy life right now. Hey, when else is there?
A big hit in Europe in the time of Flower Power, this song was a performed by a Swedish group whose only Austrian member, Dieter Feichtinger, is now a Stockholm barbershopper.
Who would have pictured this haunting song by the Carpenters being sung in contest? Well, one quartet did, and now your group can too.
There are not many prettier or more heartfelt songs than this Beatles’ love ballad. While most of the group’s tunes were written by the duo of Lennon and McCartney, this song was penned by lead guitarist George Harrison. This arrangement is probably good for contest but could possibly incur a small penalty. Hey, it would be worth it to perform such a lovely song!
This rock and roll oldie celebrates party time—in a rather unusual way! The next time someone tells you you’re all wet, there will be no need to take offense. . . .
What? You don’t have a Led Zeppelin song in your repertoire? Well, isn’t it high time you got one? The answer is, maybe. For one thing, this arrangement requires an extra soloist or two, making it better suited to a chorus than quartet. Also, many of the tricky instrumental effects are reproduced vocally, making this piece very . . . not easy. But if your group can pull it off, your audiences are bound to go bonkers!
What could be sweeter than singing this McGuire Sisters’ piece of confection? Your quartet or chorus will find out you definitely have not bitten off more than you can chew.
This medley is a winner any time of year, with Those Lazy-Hazy-Crazy Days Of Summer, Summer In The City, Sunny Afternoon and Sunshine On My Shoulders. Some like it hot!
You know how some songs are just plain fun? Well, this is one of them. John Denver’s popular classic can be a hit for your group too—whether you are really country or just pretending.
What could be more inspiring than singing about our music? This uplifting arrangement is no longer exclusive.
A great Statler Brothers’ tune honoring music, this song is heavy on old-fashioned values and references.
The rock hit performed by Buddy Holly, Linda Ronstadt and many others, this tune is a lot of uppity fun. Time to get snarky!
Also called Through the Eyes of Love, this song is especially lovely. Give this delightful piece a try. Your audiences will be glad you did.
Emmylou Harris revived this rock’n’roll hit in the album Trio, along with standout performers Linda Ronstadt and Dolly Parton. The original was a #1 hit back in 1958 for the Teddy Bears, one of whose members, Phil Spector, was inducted into the Rock and Roll Hall of fame as a writer and producer in 1989.
Performed by our 2003 international champion quartet, Power Play, this powerful love sung was debuted by Josh Groban in 2001, when he was barely out of his teens. Now pushing 40, Groban is still going strong, so dropping out of college to turn pro was not such a bad idea, eh?
The King himself sang this cautionary love story. The Musical Island Boys might just be willing to share it with you.
A cool/hot show tune, this swingy number will have your audiences swaying in their seats and smiling from ear to ear.
Joni Mitchell sang this offbeat, jazzy piece about a real nut case. So come on, baby, let’s do the . . . twisted?
This happy summer song is always in season. The BHS publishes the men’s version, of this tune, which is virtually a Polecat song in some places. Now available for SSAA and SATB mixed voices.
Don McLean composed and performed this lovely, haunting song. The poetry of McLean’s lyrics matches Van Gogh’s later, colorful paintings very well. This moving tune is sure to captivate your audiences.
This is the touching Matt Monro hit from 1965. Even when true love is involved, a relationship still could be hopeless—but this song certainly is not.
This song is just right for weddings, naturally. Pizza, Pooh and Magpie—well, that is what the Beatles called Peter, Paul and Mary—sang this piece with great success.
This powerfully uplifting show song is sung by numerous women’s choruses. But, hey, it works just as well for men’s groups. For everyone, singing about our music is the best!
This Statler Brothers’ lament about modern times stresses solid, old-fashioned values. Things were just a whole lot clearer back then. . . .
This Beatles’ song is always a kick, for singers and audience members alike. The men’s version of this arrangement is published by the BHS. Of course, you can vary the lyrics to reference any age that ends in a four.
No doubt you have always pondered this timeless query. Though the song does not exactly provide you with the answer, your group will have big fun exploring the matter. So will your audiences, especially the listeners of a certain age—well, heck, any age!
A #1 hit for Peabo Bryson and Regina Belle in 1993, this lovely tune soars into the stratosphere to tell us of the joys of new love. And believe it or not, this song works just fine in BHS contests. So take a magic carpet ride on this theme song from the animated film Aladdin.
A #1 pop hit from 1966, this tune has a lilting feel and a mock-sad message. It is some fun.
Here is the inspirational Bette Midler hit about the man behind the woman, or vice versa. Do give this powerful piece a try. The arrangement is now available for SATB mixed voices, where it also fits very nicely.
Marvelously energetic 8-parter about men and women working together, as sung by Friends.
Your audiences will love to do the movements associated with this song. This tune is sure to raise the energy level of your performance.
The lovely Beatles’ tune may be the most recorded of all time. The men’s version of this arrangement is published by the BHS. Now available for SATB mixed voices.
This is a powerful song from the French, with a sophisticated sentiment of regret. It is especially good for mature groups.
What’s not to like about this Carole King classic? Great for honoring a special person or delighting all of your audiences.