Arrangements by Category(Click Below)
The number is a reference to the names on the Vietnam Memorial wall. The Brothers in Harmony took the place by storm when they placed high with this song and “Goodnight, Saigon” in International competition.
This tune is as sweet and light as they come. Show your audiences you are a clever speller, as well as being wise in the ways of love.
Brothers and sisters, are you ready to eliminate the negative? Then just latch on to this lively tune and help spread the word!
They don’t come any sweeter than this love song. Sing this lovely tune on an afterglow or for a change of pace during a show.
A rock hit for Swedish group Ace of Base, this arrangement is not for the faint of heart. Sure, her ex-lover is just that little bit bitter, but the woman earned it.
The ever-clever Ray Stevens sang this spoofy, melodramatic song. Even a sedate group will be funny when performing this piece.
Do you share this secret vice? Are you just wild about this classic treat? Surely many of your audience members will be able to relate.
The lovely John Denver song, this piece is good for weddings—and any other occasion when you want to express your feelings for your beloved.
Yes, this song starts with the famous line “Oh, how we danced on the night we were wed.” It is just the right tune for this occasion. Continue reading “Anniversary Song”
The biggest hit from the musical Hair, this powerful song offers us hope still today. By the way, my college girlfriend and I saw the Broadway production back in 1969. When the cast invited any interested audience members to dance the finale with them on stage, up we went. So, yes, I have danced on the Broadway stage. You may touch the hem of my bell-bottoms the next time you see me. . . .
These two love songs, debuted almost 100 years apart, are identical musically. Elvis has not left the building yet. The men’s version is available from the BHS; the women’s, from Sheet Music Plus under “Love Me Tender.”
Short and, um, sweet, this tune was sung by Homer Simpson’s quartet, The B Sharps. You don’t need a little diamond-shaped sign to show that you are so uncool as to be cool. Continue reading “Baby on Board”
From the animated musical “The Jungle Book,” this delightful tune will charm audiences and judges alike. Storm Front sang it until they decided to be unremittingly hilarious.
This classic slow swing tune puts you right where the action is. No longer exclusive to Saturday Evening Post.
Here is a lovely pop song by Celine Dion, in the mold of “The Wind Beneath My Wings.” Sing it at weddings or any time love is in the air.
No, this isn’t Ripley’s. Peformed by Joey Scarbury, this is the theme song from the early-’80s TV show The Greatest American Hero. Make yourself and your audiences happy with this most uplifting tune!
What are these wonderful, romantic things that happen on the dance floor? Your can probably guess, and your audiences will love hearing about them.
Did you ever fall in love with the wrong person? You know he or she is just not right for you—perhaps not for anyone—but there you are, hooked. Stuck in the magic spell. Well, maybe it will help you to sing about it. Sinatra did. . . .
A slightly risque country song, this tune makes for much merriment. You can probably guess the double entendre—and your audiences will have great fun with it!
Ladies, do you love your man for, well, no certain reason, but you love him just the same? This song tells your story.
No joke, this is the straight version of the Roy Orbison song, covered so beautifully by Linda Ronstadt, among others. Your group can set a sultry Louisiana mood with this pop hit.
This unique rendering combines the verse from Rodgers & Hart’s original version from 1934 with the chorus of the swinging 1961 doo-wop hit. This may be the ultimate “Oh, yeah” song.
Step on the gas with this vintage Carl Perkins/Elvis Presley tune.
The jumpin’ WWII tune made famous by the Andrews Sisters, this song is sure to please your audience members of all ages.
This lively tune was a one-hit wonder back in 1958 for the Monotones. Hailing from Newark, N.J., the doo-wop group reached #5 with this pop classic. This was their only chart hit, but maybe if they had picked a more musically-skilled name. . . .
This rousing number sung by Coldplay is backed by a group of enthusiastic gospel singers. If you check out Coldplay’s version on YouTube, you will likely want your quartet or chorus to sing this tune!
Van Morrison wrote this happy, lively tune back in the golden year of 1967. Quite faithful to the original, this version is sure to have your audiences rocking and clapping. Up All Night does a great job on this song.
Pop/country hit about a father and daughter that is sure to go over big at weddings.
As cute as they come, this tune is available in regular and senior-citizens’ versions. Chris Arnold has recorded learning tracks for both versions. Do give this happy tune a try.
Neil Sedaka wrote and sang this most fun tune. Now it is available for your group to sing in contest, even!
This classic from the Fab Four is not only lively and wise, it is contestable too (though SAI groups should check with a Music judge). But whether for contest or show, this song is a sure winner. “Everybody tells me so!” Tim Waurick’s tracks for women are purely great, and he now has them for men too.
The King sang this pop classic, so your audiences are sure to love being transported into the past by it.
This is Elton John’s moving tribute to Princess Diana. The lyrics of this beautiful song still resonate today.
From the Disney film Pete’s Dragon, this beautiful song explores the depths of true love. What a lovely image the title paints, eh?
A tongue-twister that really rips along, this medley is great fun to sing. By the way, the second song was written and arranged by Al Rehkop, who won gold at tenor with both the Auto Towners (1966) and the Gentlemen’s Agreement (1971).
A country song with lots of heart, this seasonal song will have your audiences reaching for their hankies. Feature your lead on this one.
Songs do not come any more powerful than this classic. International quartet champion Musical Island Boys did a bang-up job on it in competition.
Ella Fitzgerald made this tune famous. It is just right for pledging undying devotion at weddings and other happy occasions.
You have never heard the Barry Manilow hit quite like this before. With solo, four harmony parts and two rhythm lines, the song requires a chorus or octet to make it swing.
This Roy Orbison song is a popular classic, of course. Very few barbershop groups have a lead(s) who can handle the rangy melody, so the lead, tenor and bass take turns with it. (Sorry about that, baris.)
Sung by the Everly Brothers, this poignant song of lost love makes a fine tempo ballad for contest or show. This one will sure take your audiences back. . . .
Frank Sinatra sang this moving song of life’s ups and downs. Your audience members will definitely be able to relate to the message of this tender piece.
“What a day” for singing this Lovin’ Spoonful pop classic. This cheery arrangement is for chorus plus soloist.
Yes, this is the Eagles’ big hit, and it can even be sung in contest. So “come to your senses” and give this heartfelt tale a try. Good news: This powerful arrangement, which had not been available for a few years, is now cleared via Sheet Music Plus!
It doesn’t get any better than the Everly Brothers singing about true love. Would make a fine addition to wedding vows.
This Statler Brothers’ tune revives all sorts of ’50s nostalgia. The arrangement could even be redone for contest.
This is only one of the King’s all-time biggest hits. Don’t be cruel to your audiences; be nice instead and include this Elvis song in your repertoire!
Ah, how much fun is it to sing a recently written tune about the songs and excitement of the Roaring ’20s? Big fun, that’s how much! This song will be exclusive to The Velvet Frogs until the fall of 2017, but you can start thinking right now about singing this delightful number.
This beautiful Disney song has a most hopeful message: Keep believing! Available in both TTBB and SSAA voicing.
A tough one to explain, this Metallica hit was goofed on by a lounge-lizardy singer who calls himself Richard Cheese. The arranger further degraded the piece, resulting in a delightful, even marginally contestable, abomination.
From the all-time great musical Oklahoma, this tune is rollicking fun. Somehow a song about folks who don’t see eye to eye trying to get along anyhow seems very fitting for the age we live in, so give this one a . . . ride.
Wish your audiences a Merry Christmas in bilingual fashion. This lively chart is written for four voices plus percussion instruments. The BHS publishes the men’s version. Jen Cooke has recorded the SSAA tracks; Anne Bureau, with a little help from kept man Ig, the TTBB.
This lovely Roberta Flack song has passed the test of time. Give your audiences some warm fuzzies with this deeply moving tune.
Love needs just a little more sometimes. You are sure to enjoy this gentle tune. It is no longer exclusive to Fermata Nowhere, so get it while it’s warm and sweet!
This Statler Brothers’ song puts an ironic twist on loneliness. And it won’t bother your audiences at all . . .
Do you have an outlaw sort of bass who is looking for a solo? This is a good one, with one caveat: The song is arranged to be accompanied by guitar and bass fiddle. It could be redone someday but not just yet, for the piece is exclusive to Boardwalk right now. After all, doesn’t Pookie remind you quite a bit of Johnny Cash?
Though this song is usually set as a dialog between two people (see the next entry), the song can work just fine for one soloist. So if you are like many groups and have just one soloist with the medium range, this piece could be just the ticket for you.
From the musical Wicked, this song features a heartfelt, intense dialogue between witches Elphaba and Glinda. If your group has two good soloists with medium to high voices, this is the ticket for you. This arrangement, and the sentiments of the song, work just fine for men as well. Tracks for the women’s version have been recorded by Shawn Thomas.
Stevie Wonder in barbershop? Absolutely! Indeed, this pop classic is even contestable.
This touching song of love lost was written by singer/songwriter/actor Kris Kristofferson. “Make believe you love me one more time”—that is some good writing. . . and your group can do some fine singing with this strong song.
A comedy number about the famous Los Angeles cemetery, this tune features clever images galore. You and your audiences will have big fun with this tune. You could even laugh yourself to death. . . .
Barry Manilow co-composed and performs this ballad, a powerful declaration of love. This tune would fit most weddings very well but works fine for almost all occasions.
This song is beyond happy. “Ecstatic” might be a better word, as the both the highs and lows of glorious love are celebrated.
The rock group Blood, Sweat & Tears revived this 1941 Billie Holiday song in 1968. This tempo, bluesy ballad is as moving as they come. And here is a blessing for you: The piece is no longer exclusive to the Big Apple Chorus.
This offbeat tune comes from the film A Mighty Wind. (Hey, that would not be a bad quartet name!) You have never heard the stories of Noah and the Ark, and David and Goliath told like this. Requires a guitar and string bass. This arrangement is no longer exclusive to Boardwalk.
Weird Al Yankovic penned and sang this highly, um, offbeat number. It probably sets a world’s record for backhanded compliments to one’s sweetie. Happily, this piece is contestable.
Composed back in 1976 by Freddie Mercury, this tune is happy and seductive at the same time. You will be Queen for a Day if receive loving treatment this good.
Written and performed by Billy Joel, this song is as intense as it gets. The Brothers in Harmony pretty much blew the place’s doors off in the chorus contest at the Philadelphia International.
You are sure to fall under the spell of this lovely Spanish tune. It was arranged for the Investigators, the quartet that led the founding of Spain’s barbershop organization, SABS. Though in Spanish, the piece probably could be sung with the English lyrics without too much trouble.
Written and performed by John Jarvis, this lovely song stresses two types of love. One is for one’s spouse, while the other is even greater: “Peace on Earth, goodwill to men.” At this time the arrangement is exclusive to Nova Quattro, but your chance will come one of these days.
This clever song of a boy’s outsized baseball fantasies is no longer exclusive to Buckeye Blend. Do check this sweet, lovable tune out.
Recorded by various country artists, this melancholy song is sure to move your audiences’ hearts. There are many ways to get back home, but this method is clearly not recommended. . . .
A pop hit for the Mindbenders (1966) and for Phil Collins (1988), the song has been sung lately by the King’s Singers. Makes a great solo for tenor or high lead/bari. The bass also gets some licks in too. Do have a look at this uniquely wonderful chart.
Originally called “My Girl Sloopy,” this tune reached No.26 on the charts for the Vibrations in 1964. The McCoys had a No.1 hit with it the next year. By one account, the inspiration for the song was Dorothy Sloop, a jazz singer from Steubenville, Ohio—also the birthplace of Dean Martin—and a student at Ohio University. The Ohio State University marching band, which bills itself as The Best Damn Band in the Land, first played the song in October of 1965 and has made it a staple ever since. Try this most fun song with your group. Your audiences would probably enjoy singing along with you!
For Western shows, this is the quintessential Roy Rogers & Dale Evans song. I even had the chance to tell Dale personally about arranging her song in the barbershop style! Use this classic tune to end any performance, Western-themed or not.
The powerful message of this tune makes it just right to stir your audiences’ emotions. With Him, all things are possible, eh?
A classic song for older singers, this ballad from The King and I is as timeless as it is beautiful. Give it a whirl and see what you think.
Lasting just a minute, with appropriate lyrics and a big tag, this tune is just right for opening shows. So, hey . . . look it over and then go ahead and open your shows with this energetic, positive piece!
This emphatic tune is arranged for four-part women’s voices with male solo. The fellow needs to be either a bass or a low baritone—low in more than one sense of the word? The arrangement is also available in German. That title translates as “Come, Drink Up, Jack.” Fun, eh? By the way, Anne Bureau’s tracks are actually five-part, with husband Ig typecast as the ne’er-do-well. (Just kidding, Igster.)
Johnny Marks wrote this most happy, lively tune. It just plain feels good, and nobody doesn’t love it, so please your holiday audiences with this one.
What Is America to me? This song lists many everyday things in heart-warming, inspiring fashion. Give this tune a listen.
A purely delightful tune, Eggs tells of folks who don’t care, um, egg-zactly how their breakfast is cooked as long as a kiss and a hug are involved. Think Rock Hudson and Doris Day.
The original lyrics to this song are in Italian, and the Italians sure do know about love. The piece was arranged for the LABBS (British women’s) organization but is available to all.
This inspirational classic is a hit on any show. Power Play put their family touch on this heartfelt tune. Many SSAA groups sing it as well, especially in the UK.
A beautiful, haunting piece, “I Believe in You” encourages a friend who is down and out to believe in herself or himself. The lyrics are mostly in English, partly in French. The format is solo with four-part background, with the final chord splitting into seven parts. Do check this wonderful song out for your chorus!
A fresh, new take on both of these tunes, this medley is both energetic and loving. Not a bad combination, eh, so do give this piece a try.
When well-known barbershopper Darryl Flinn first heard my current quartet, Lock 4, he remarked on what a fine voice our lead, Keith, had and declared him to be the lost Ink Spot. So naturally I went back and arranged Keith’s favorite Ink Spot song. The piece lives more vividly with guitar accompaniment, and there is even a traditional, uh, spot for a bass recitation.
By the way, our quartet’s name has a double meaning. The Ohio & Erie Canal came through Akron back in the day, and of course we barbershoppers love to lock and ring those chords!
The Patsy Cline classic about a love that is tough to get over, this song is sure tug at your listeners’ heartstrings.
A poignant song of a city dweller who yearns for the great outdoors, this song is just a little bit melancholy. Sure is beautiful, though.
Tom T. Hall’s ode to the ethereal amber beverage is great fun. This whimsical tune is available as either a lead or bass solo.
Tom T. Hall’s ode to the ethereal amber beverage is great fun. This whimsical tune is available as either a lead or bass solo.
Be young and in love again with this swingy, zippy tune. Try something new for contest. SAI carries the women’s version of this happy, lively song.
When I first got involved with the Cleveland Heights High School Barbershoppers, I asked the young women what song they would most like to have arranged. Thinking of the Julia Roberts film “My Best Friend’s Wedding,” they choose this one. This sweet tune is now available to other youth groups, and there is also a version for the grown-ups which is pitched down a little.
What a delightful love song this is! An easy-beat piece with an almost Latin feel, it was a hit for the Beatles back in 1968. Lennon and McCartney sure knew how to write ’em!
The title of this lively spiritual pretty much says it all. Time to sing praises, and indeed with great energy!
Popularized by Gloria Gaynor, this song is really powerful. This version, though, is based loosely on the way the Puppini Sisters rendered the piece. (Do check them out.) Your audiences are bound to enjoy hearing you perform this familiar tune!
Songs don’t get much prettier than this tempo ballad. The arrangement is patterned after Natalie Cole’s rendition, so it is bittersweet—more sweet than bitter—and heartfelt rather than being just energetic, as some barbershop renditions are. Do yourself a favor and check out this lush gem!
This is a truly wonderful new take on old love ballad. Feelings of regret can be powerful, indeed. Continue reading “I’d Give a Million Tomorrows”
There are not many lovelier, more poignant ballads than this seasonal one. This song is no longer exclusive to the Macomb County Chapter, feel free to take it home with you. . . .
Dionne Warwick sang this classic by Burt Bacharach and Hal David. Though arranged for the Ladies Association of British Barbershop Singers, the song works fine for men too. Continue reading “I’ll Never Fall in Love Again”
A lively swing number, this contestable tune was a hit for SAI medalist ReMix for the women and BHS medalist SRO for the men. We can’t really be sure about love, can we? Please specify whether you would like to preview the original ReMix version (Kim’s tracks) or Mo Field’s revision (Donya’s tracks) with intro by Jay Giallombardo—or both!
Everyone likes this fun, offbeat love song. Great for men and women alike, it is now available in both contest and show versions. Learning tracks have been recorded for the women’s contest chart and the men’s show version.
No doubt you have already guessed the punch line to this tune. No, the person is not a yo-yo. Yes, he or she is head-over-heels in love! Give this happy song a test spin. . . .
This tender pop hit, made famous by Bread, is a most moving love song. It makes a great song for weddings, Singing Valentines and much more.
If you are not familiar with this song, do yourself a favor and find a clip of Elvis Presley singing it. This plaintive plea drives and drives and drives, as 2014 international champ Musical Island Boys showed us so well. In 2017 this song became a LABBS “polecat” number, sung by all of these British ladies.
Folk music meets barbershop in this inspiring piece. Couldn’t we use some “justice, freedom, and love between our brothers and our sisters” right about now?
Two different verses put fresh, and very different, spins on Lou Perry’s lovely chorus. Both the sadder slant and the renewal-of-vows version make a familiar piece into something new.
Songs don’t get much more beautiful and poignant than this one. From the musical Carousel, this piece tells a tale that is, well . . . not so theoretical after all.
The lovely Beatles tune is great for any combination of voices. Express your deep love sweetly and gently with this rock classic.
The Beach Boys’ story of teenage angst is surprisingly sweet and moving, and works well for singers of all ages. The BHS publishes the TTBB version; for SSAA, go to Sheet Music Plus. This short, easy song is a natural for Youth in Harmony groups.
Patterned after the inspirational version sung by the Canadian Tenors, this song is purely beautiful. One might think of it as being similar to “Let There Be Peace on Earth” but with more specifics included. Such lyrics as “Where there is darkness, let me bring light” and “Where there Is hatred, let me bring love” show that one person can make a difference in this sometimes perilous world. Right now this chart is exclusive to the Scotianaires, but it will shake loose in a couple of years, so do keep a lookout for it—peacefully, of course. . . .
A goofy takeoff on Goodnight, Irene, this song expresses great frustration that the fellow who keeps repeating himself to his love does not just shut up and get lost.
The King’s Singers sang this bittersweet song, which is available in both tenor- and bass-solo versions. This piece is purely lovely, “but it’s much too hard to write.”
The King’s Singers sang this bittersweet song, which is available in both tenor- and bass-solo versions. This piece is purely lovely, “but it’s much too hard to write.” (Hmm, where have you read that before. . . .)
Remember the teenage angst of being out past your curfew—waaay past your curfew? Ricky Nelson sang about it back in 1958, but every word still applies today. And instead of feeling dread, your group, and your audiences, can have great fun with this tune. By the way, this song was arranged for the award-winning Cleveland Heights High School Men’s Barbershoppers.
In 1991 this song was a big hit for Boyz II Men. Formed in 1988 in Philadelphia, this R&B vocal group recorded a whopping eight Top-10 tunes in just a little over four years. Do yourself, and your audiences, a favor and check out this beautiful, poignant song of lost love.
This wonderful tune welcomes a new baby to the world. It is as gentle and sweet as they come, so give it a look and listen. (And I am looking at you, White Rose.)
What do you do when your lover just ups and disappears one day? Do you run around like a chicken with its head cut off? Or do you take a, well . . . easier approach. This fun arrangement is no longer exclusive to Cahoots, so do keep it in mind, for a Western-type or any other kind of show.
This powerful Grammy Award winner, sung by Roberta Flack, is now available in two versions. One is as usual, while the other, as sung by MAXX Factor, is delightfully twisted.
Everyone enjoys this light-hearted hobo song, composed and performed by the great Roger Miller. And the arrangement could even be edited to be contestable, so hitch a ride on this tune!
This happy Neil Sedaka tune was a #1 hit back in 1975. Arranged for the Dutch men’s quartet Unlimited, the song pairs very well with “Crying in the Rain” in contest. Laughing, crying—sounds a lot like real life, eh?
Composed and sung by Bill Withers, this is one of the most popular songs of the last 50 years. Inspire your audiences with this uplifting winner. Now available for mixed voices.
These are not lessons we necessarily look for—if fact, we try hard to avoid them—but sooner or later, we all are taught about the blues. This song will surely connect you with everyone in your audiences. Plus which, it is a cool, cool tune.
The Everly Brothers sang this heartfelt love ballad with great Success. It was a Top 10 hit for the duo back in 1960. Now available for SATB mixed voices (as well as for men and women).
This wonderful, romantic song was written by Barry Manilow and featured in the movie Thumbellina. And isn’t the title just lovely?
A country tune with lots of heart, this plea to allow children to act their age is a real gem. It is no longer exclusive to the fine senior quartet Melodies & Memories.
Tickets: check! Popcorn: check! Candy: check! Drinks: check! Come on in and grab the best seat in the house. The lights have been dimmed, the commercials and trailers are done, and now it is time for the main feature. Roll ’em! And you will be able to roll ’em too—as soon as the Scioto Valley Chorus has ended its run.
The Dallas rock ‘n’ roll group Sam the Sham and the Pharaohs earned a gold record with this catchy tune, which rose to #2 on the charts back in 1966. Their breakout hit from the year before, Wooly Bully, had also charted at #2. Time to get delightfully funny with the wicked song!
The women’s version of The Little Boy, this powerful ballad helped both Growing Girls and Swinglish Mix become Sweet Adelines International Queens of Harmony.
This is a beautifully tender song for a parent to sing to a daughter dressing up in Mommy’s old clothes. The picture the lyrics paint is vivid and loving, and sure to warm every heart.
A really sweet ballad with an old-fashioned feel, this song paints a picture of a lovable lady bustling around town doing a little of this and a little of that.
This beautiful piece is a rearrangement for SATB of the Society-published chart done by the great Joe Liles and me. It is fine for both mixed-barbershop and church groups.
This is a contestable version of a most powerful song. Judges in the Performance category have assured me that this song does not really function a religious number, but rather as a lament about feeling quite alone. The arrangement is no longer exclusive to the Brothers in Harmony, who sang it most dramatically in International competition.
The lyrics to this fluffy yet sexy Meghan Trainor hit have been toned down a bit for younger singers; for example, “even with nothing on” is now “even with my blue jeans on.” Arranged for the delightful Cleveland Heights High School Women Barbershoppers, this tune would be great fun for young-at-heart women of all ages!
Not your run-of-the-mill barbershop tune, Mammas would go great in a Western show, or use it as a novelty number for a change the pace. Audiences just plain like this song!
Everybody’s waiting for him. And who is he? Why, Santa Claus, of course. Your group will enjoy singing this slick tune.
Pretty and rhythmic, this pop ballad lets you express your feelings for your beloved most sweetly. If sweet is your thing, have a listen to this tune.
Who didn’t love our Mary? Your group will enjoy singing this happy little number.
Powerful, reverent song, this piece is a hit at Christmas or any other time of year. Available in male, female and mixed voices.
A modernish tempo ballad, this tune is suitable for contest. It conveys a sweet sentiment with powerful, creative lyrics and images. Have a look and a listen. . . .
This happy seasonal song is easy to learn and perform. Hey, you may even may be able to get your audience up and dancing!
Have soldierly fun with this humorous combination of Sound Off and Oh! How I Hate To Get Up In The Morning.
An all-time-great popular classic, this swingy tempo ballad is sure to please your audiences—and even the judges. Get down with this evocative, deep-blue tune. {Corny joke: What did the dark-blue cow do? It mooed indigo.)
What could be more appropriate for us barbershoppers to sing about than music? Well, probably love. But how about a song that has both? And as far as the expression wine, women and song goes, hey, two out of three ain’t bad!
Long considered a jazz standard, this tune was written by the great Kid Ory in 1926. It was first recorded by Louis Armstrong and His Hot Five. This song is lively and plenty of fun, so come along with us. Let’s get ready to ramble!
Nobody doesn’t enjoy this fun, catty pop #1 hit from 1963. This tune is good for young and old alike, so give it a whirl. The arrangement is available in men’s voicing also. Hey, why not. . . .
This pop hit from 1962 will touch your audiences’ hearts. Slick and sad, this tune of love lost contains very evocative images, allowing you to paint quite a picture for your audiences.
Here is a wonderful ballad about falling in love despite having been burned many times in the past. Power Play sang this hopeful, powerful tune. Just about everyone in your audiences will be able to identify with these powerful feelings!
When this song went all the way to #1 back in 1964, it was no miracle. Written and produced by Smokey Robinson—get it?—this happy tune of loyal love made in big on both the pop and R&B charts for Motown star Mary Wells. This tune will make your audiences smile, and you as well!
Willie Nelson is probably the best-known singer to perform this poignant song. Shades of America’s pioneer past.
Tim McGraw sang and co-wrote this beautiful song. Guaranteed to melt any parent’s heart, this piece is no longer exclusive to the fine seniors quartet Melodies and Memories.
This arrangement of the beautiful #1 hit for the Platters (1956) debuted at a barbershopper’s wedding. You can spread the love by picking up on this hopeful tune.
Though usually performed as a ballad, this lovely tune works just fine in a swinging tempo. This one is guaranteed to bring out the feeling of cool cat or kitten in you.
This 1985 hit by the Pointer Sisters is guaranteed to energize your audiences. Surely you want a Pointer Sisters song in your repertoire, right?
This contestable version of a beautiful ballad is most sincere but also rather sophisticated. Do give this strong song a try.
From the movie Mary Poppins Returns, this delightful song will take you on a natural high. You won’t be flying a kite—you will soar over the town, maybe even heading to the moon. This arrangement is fine for contests using the BHS judging system but might be more suitable for shows in the Sweet Adelines world.
Celtic Woman popularized this moving tribute to the spirit of the USA. Even singers and audiences from other lands will be touched by this powerful piece.
This pop standard paints a lovely picture. Delight your audiences, and the judges too, with this sweet, swingy song.
Yes, this is the hit from Three Dog Night. Of course, we sing it in four-part harmony, not three. Take you audiences back to the glory days of the ’70s with this happy tune.
Take a trip down memory lane with this sweet old song. It was arranged for Vintage Mix, a delightful Wisconsin quartet composed of teenage quadruplets. Their grandfather used to sing it to them, and they purely fell in love with it. Give yourself the same chance. . . .
This wonderfully maudlin tale of a boy and his dog was written by Red Foley and Arthur Willis. The story was based on a German Shepherd, Hoover, a dog Foley owned as a child. Hoover died due to an unfortunate incident with a neighbor. Elvis Presley really made the lyric live, and so can your quartet or chorus.
A most evocative, nostalgic ballad, this song paints a beautiful picture of days gone by. Not surprisingly, this song is really not about a spinning wheel, but love.
This stirring song of the futility of war comes from the film Billy Jack. Sometimes the only survivor is. . . .
This happy song of faith moves along with considerable energy. Manhattan Transfer made the piece famous—and your quartet or chorus can help it stay that way.
The words don’t make a bit of sense, but that doesn’t stop the fun in this novelty number. In fact, the words are the biggest part of the merriment. This song is no longer exclusive to Buckeye Blend.
Idina Menzel, who played the Wicked green witch Elphaba on Broadway, sings this haunting tune. You are sure to tug on your audiences’ heartstrings when you sing about a mother reassuring her child that even though she and her husband must part, the child is wonderful and is truly loved.
Celtic Thunder sings this happy, lively, energetic, creative, wonderful, fantastic song. You owe it to yourself to check it out for your quartet or chorus. You just do! Can be sung with or without a backup band.
The BHS 1965 gold-medal quartet, the Four Renegades, made this song popular in the barbershop world. The Renegades were all-time great champions, and this lively tune was one of the reasons why. Buzz Haeger’s arrangement was just fine, but here is a new slant on things, one that you and your audiences are sure to enjoy.
Butch Cassidy and the Sundance Kid ride — well, a bicycle, anyhow — again. This light song is, well, delightful. If you don’t give this tune a try, you’re all wet!
Country star Toby Keith sings this homage to his favorite container for adult beverages. The lead handles the funny, quirky recitation. This a different kind of love song. See—or sip—for yourself!
The thought-provoking Dan Fogelberg song, this piece seems to be about a colt that might run in the Kentucky Derby but may just have a deeper meaning for us all.
Originally arranged for a female soloist with men’s quartet or chorus, the piece is now available for five women’s voice parts. This seductive song is cool, hot and fun.
Brothers and Sisters, are you leading a life of sin and corruption? If so, this energetic, tongue-in-cheek song will set you on the righteous path. Okay, so it did not quite do the trick for the comedy quartet Up All Night, but it almost always works. Let me hear an “Amen!”
What could be more barbershop than strutting around the stage to this tune from The Music Man? Time for some energetic fun, for both your group and your audiences!
This uplifting pop/country hit pays homage to the beloved lady who gives you so much support. Sing it to bring out your inner Kenny Rogers!
Well, now, what did our Minnie lose at that famous hotel? This humorous tune with a surprising punch line will tell you. Your audiences will enjoy this harmless fun—promise!
A wildly creative commentary on lonely life in the suburbs, this song can be sung in contest. You need to experience this offbeat tune at least once in your life to believe it.
What a sweet Christmas tune this is. Your group will enjoy singing a lullaby to the baby Jesus, and so will your audiences.
Hopeful songs of love don’t come any prettier than this. The lead sings the melody in the normal range in this version.
Hopeful songs of love still don’t come any prettier than this. Makes a great solo for a tenor or high lead.
Who would have pictured this haunting song by the Carpenters being sung in contest? Well, one quartet did, and now your group can too.
An ultra-intense Civil War song, this piece is contestable. Lots of sadness here, so skip this one unless you can handle it. But if you can, the cost of war is spotlighted in this story of a young solider who did not make it home.
There are not many prettier or more heartfelt songs than this Beatles’ love ballad. While most of the group’s tunes were written by the duo of Lennon and McCartney, this song was penned by lead guitarist George Harrison. This arrangement is probably good for contest but could possibly incur a small penalty. Hey, it would be worth it to perform such a lovely song!
Ya gotta have heart, and this lively Power Play tune lets your audience know that you do. There is energy galore in this tune.
This ballad is always good for lots of emotion. The story is told that the lyrics were written by some songwriters who were trying to go way over the top one night at a party, doubtless while cheerfully lubricated. They seem to have gotten things just right, though, eh?
This fast piece definitely cooks, with a scat section for each voice part. There is nothing more fun than singing about music.
From the 1954 Broadway musical The Pajama Game, this tune is hot. No, it’s hotter than hot! The Cleveland Heights High School Women Barbershoppers debuted this sultry song with great success at the Midwinter Convention, but is just fine for the grownups as well. The piece is probably not suitable for SAI contests, but it is great for shows. And don’t forget to wear your black derbies. . . .
What could be sweeter than singing this McGuire Sisters’ piece of confection? Your quartet or chorus will find out you definitely have not bitten off more than you can chew.
This lovely tune was a #1 hit for Kyu Sakamoto back in 1963. The Japanese lyrics tell a sad love story, not really anything to do with food. Surprisingly, the song made the Top Ten again in 1981 and 1995. And you should hear the delightful Chie sing it, backed up by her Louisville HI chorus.
There is plenty of seasonal fun to be had with this hit from the UK. It is time to go on holiday!
A fun nonsense song that takes you in circles, this vintage tune surprises your audience every few seconds. Could this be the next big barbershop hit? Well, maybe not, but it is large fun to sing and listen to!
No one doesn’t love this happy, swingy tune. Your contest and show audiences are sure to enjoy hearing you sing it. So take a chance and sing through it. What have you got to lose?
The origins of “Taps” date back to American Civil War. This bugle call began as a lights-out signal to soldiers at night but now is played at military funerals and memorials. Though not a cheery song, it can be very powerfully sung when the occasion calls for it.
From the musical Civil War, this song of a dying young soldier is most powerful, indeed. It makes a fine contest companion to the “Civil War Medley” of rousing uptunes. Both Power Play and The Alliance sang it in international competition.
You know how some songs are just plain fun? Well, this is one of them. John Denver’s popular classic can be a hit for your group too—whether you are really country or just pretending.
What could be more inspiring than singing about our music? This uplifting arrangement is no longer exclusive.
Looking for a short song to close your shows with? How does one minute of happy thanks sound to you? Lots of fun and energy in this piece, so give it a whirl.
A great Statler Brothers’ tune honoring music, this song is heavy on old-fashioned values and references.
Bob Hope’s theme song is just the thing to close your show with. Some of the lyrics have been changed to provide barbershop references. Nice, eh?
A cute tune about the great comedian, this song was arranged for 1985 quartet champ The New Tradition. Talk about built-in choreography. . . .
How long has it been since you heard a good old Gene Autry song? Well, your audiences probably haven’t either, so take them back in time with this heartfelt tempo ballad. By the way, my daddy’s hair is more, well, flesh-colored.
A beautiful song of lifelong love, this piece will warm your audiences’ hearts. So sing to the young person we can all carry with us for life.
Also called Through the Eyes of Love, this song is especially lovely. Give this delightful piece a try. Your audiences will be glad you did.
That’s right: I love you! And I just cannot hide it. Everyone will enjoy this catchy pop standard.
Songs don’t come much prettier than this one. Do you want to take pleasure in all the beautiful things in life, large and small? I’ll bet you do, and so will your audiences. . . .
Emmylou Harris revived this rock’n’roll hit in the album Trio, along with standout performers Linda Ronstadt and Dolly Parton. The original was a #1 hit back in 1958 for the Teddy Bears, one of whose members, Phil Spector, was inducted into the Rock and Roll Hall of fame as a writer and producer in 1989.
Performed by our 2003 international champion quartet, Power Play, this powerful love sung was debuted by Josh Groban in 2001, when he was barely out of his teens. Now pushing 40, Groban is still going strong, so dropping out of college to turn pro was not such a bad idea, eh?
An ageless song of young love, this tune tells of the greater wisdom of the younger folks. But singers of any age can have a hit with this piece, for sure.
Here are three quite interesting songs about some, um, unique women. Would you believe Sob Sister Sadie, Hard Boiled Rose and Dangerous Nan McGrew? For ordering from Sheet Music Plus, you will find the medley will be listed under only the latter song title due to copyright considerations.
The King himself sang this cautionary love story. The Musical Island Boys might just be willing to share it with you.
This popular classic speaks to all the men in your audience—and the women sure do hope the menfolk will listen.
Whitney Houston sang this most inspirational song. The singer acknowledges having made many mistakes in her life, but now is the time to do it her way. So have a look at this song—and sing it your way.
A cool/hot show tune, this swingy number will have your audiences swaying in their seats and smiling from ear to ear.
Similar to Acoustix’s take on the old rock ‘n’ roll version, this chart is plenty weird. Your tenor gets the chance to shine here, but—heck, sing it anyhow. . . .
Don McLean composed and performed this lovely, haunting song. The poetry of McLean’s lyrics matches Van Gogh’s later, colorful paintings very well. This moving tune is sure to captivate your audiences.
This is the touching Matt Monro hit from 1965. Even when true love is involved, a relationship still could be hopeless—but this song certainly is not.
And now for something completely different. This jazzy version of a song usually heard as a barbershop ballad is patterned after Frank Sinatra’s interpretation. If you have some swing in your soul, give this one a look and a listen.
This lovely song of friendship says that although we are parting now, on some wonderful day our paths will cross. Its message applies any time, but in the year 2020 it seems even more poignant than usual.
This popular hit has a lot going for it. Sweet, gentle, flattering, wry—it is just plain fun to sing, and to listen to as well. Treat your seasonal audiences to this delightful tune!
Here is a new twist on an all-time favorite of us barbershoppers. Various popular oldies are referenced within this piece, and your audiences will enjoy recalling all of them.
This powerfully uplifting show song is sung by numerous women’s choruses. But, hey, it works just as well for men’s groups. For everyone, singing about our music is the best!
This Statler Brothers’ lament about modern times stresses solid, old-fashioned values. Things were just a whole lot clearer back then. . . .
A beautiful Sigmund Romberg tempo ballad, this song tells of a bittersweet parting that is more sweet than bitter. Do check out this lovely tune.
This lyrics to this haunting song were written by the great Johnny Mercer. Barry Manilow, who is no slouch himself, composed the music. The story is familiar—love was sweet as spring in April but turned cold by December—but this piece is something special. Partly a lead solo and partly all-skate, this is a tune you will want to check out for your group.
This uptune is a favorite with all audiences. They know it, they love it, and they may even sing along with you. So give this popular classic a look-see.
Here is a square medley of love that has a wonderfully old-fashioned ring to it. The bass’s recitation on the second chorus of “When Your Old Wedding Ring Was New” is heartfelt and unique. Ain’t lifelong love grand?
There are not many lovelier, more touching Broadway ballads than this. A bonus is that this song is contestable. I often listen to Tim Waurick’s full mix of this arrangement just for enjoyment.
This tempo ballad paints a picture as lovely as its title. Is someone waiting for you? I sure hope so.
No doubt you have always pondered this timeless query. Though the song does not exactly provide you with the answer, your group will have big fun exploring the matter. So will your audiences, especially the listeners of a certain age—well, heck, any age!
This is the cute pop hit popularized by Tony Orlando & Dawn. Suspicion seems to be going around, eh? Will this mystery ever be solved?
A #1 hit for Peabo Bryson and Regina Belle in 1993, this lovely tune soars into the stratosphere to tell us of the joys of new love. And believe it or not, this song works just fine in BHS contests. So take a magic carpet ride on this theme song from the animated film Aladdin.
A #1 pop hit from 1966, this tune has a lilting feel and a mock-sad message. It is some fun.
Here is the inspirational Bette Midler hit about the man behind the woman, or vice versa. Do give this powerful piece a try. The arrangement is now available for SATB mixed voices, where it also fits very nicely.
Your audiences will love to do the movements associated with this song. This tune is sure to raise the energy level of your performance.
This is a powerful song from the French, with a sophisticated sentiment of regret. It is especially good for mature groups.
Written by Peter Allen and Carole Bayer Sager, this bittersweet tune tells of a love so hot that it had to burn out. The young lover in all of us will be able to relate to this tale.
The great Irving Berlin makes some of his best word plays in this delightful song. From the musical Annie Get Your Gun, this contestable tune is for women only.
This beautiful tempo ballad comes from the Broadway musical version of The Full Monty. At first hearing, I assumed it was a religious piece. While “You Walk with Me” certainly can be sung that way, in the musical it is sung by two people who love each other. Do yourself a favor and look this song up, whether through a preview from me or simply online.
What’s not to like about this Carole King classic? Great for honoring a special person or delighting all of your audiences.
Love does not always last forever, but some things do. This humorous song is just fine for contest, so do give it a whirl.