This may be the best song ever written, period. Couldn’t all of us fallible mortals use a little grace?
Amazing Grace
BHS Charts with Tracks
This may be the best song ever written, period. Couldn’t all of us fallible mortals use a little grace?
An eight-part song from Annie Get Your Gun that is a sure hit for a combined number with a chorus or quartet of the opposite sex. Can you guess who wins in the end? Also available in eight-part male and female versions.
This medley was especially fun to concoct, with a story line set up by interpolations running throughout. To wit:
“At the Hop” starts the medley in cheery, lively fashion. Then things get less happy with “Little Darlin’.” Even worse is yet to come, with “The Great Pretender.” Desperate, the singer consults the gypsy in “Love Potion Number 9.” The magic works, and all is well again, as illustrated by “Pretty Little Angel Eyes.” A reprise of “At the Hop” caps things off nicely.
Do check this magilla out. It is in SATB form now but can easily be put into TTBB (and perhaps the voicings would work for SSAA).
For contest or show, this song is beloved by audiences and performers alike. The men’s version of this arrangement is published by the BHS.
Arranged for eight-part mixed voices, this Amy Grant song is a wish list for a better world. So get together with a chorus or quartet of the other sex and move your audiences’ hearts with this gem.
This emphatic tune is arranged for four-part women’s voices with male solo. The fellow needs to be either a bass or a low baritone—low in more than one sense of the word? The arrangement is also available in German. That title translates as “Come, Drink Up, Jack.” Fun, eh? By the way, Anne Bureau’s tracks are actually five-part, with husband Ig typecast as the ne’er-do-well. (Just kidding, Igster.)
This is my favorite Dolly Parton song, an opinion lots of people share. The song drives relentlessly from beginning to end, making the heartfelt plea even more powerful.
Billy Joel’s hit is doo-wop barbershop at its most enjoyable—and familiar! The BHS publishes the TTBB, SSAA and SATB versions, with tracks, of this smash hit. (Kohl K and Tim W also have TTBB tracks.)
Originally arranged for a female soloist with men’s quartet or chorus, the piece is now available for five women’s voice parts. This seductive song is cool, hot and fun.
Some surprise harmonies flavor this arrangement of the classic barbershop song. Power Play won gold with this upbeat, lively tune.
Yep, this is the hit song about the silhouettes on the shade. You and your audiences are invited to have large fun with this doo-wop classic with a surprise punch line! The BHS publishes all three versions—TTBB, SSAA and SATB—and carries tracks for all three, as do Kohl Kitzmiller and Tim Waurick for the TTBB chart.
No one doesn’t love this happy, swingy tune. Your contest and show audiences are sure to enjoy hearing you sing it. So take a chance and sing through it. What have you got to lose?
Marvelously energetic 8-parter about men and women working together, as sung by Friends.
If you “hear music and there’s no one there,” get together with a quartet or chorus of the opposite sex and perform this lively, eight-part partner song. This one is a clear winner, a truce in the age-old battle of the sexes.